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So Many Rivers

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Reseña de álbum

Marcia Ball's strong western Louisiana, eastern Texas roots run strongly through So Many Rivers, and she has increased the range she covers. Solid in the foundation of her piano playing and phrasing, she is rooted rock-solid to the rhythms by the drumming of Tom Fillman and the bass of both Don Bennett and Yoggie Musgrove. There is also the production work of Stephen Bruton, who also added his otherworldly guitar work to the mix. Marcia Ball's voice has only gotten finer with the passage of time, and the collaborations with Irma Thomas and Tracy Nelson have also added a lot of potency to her voice and handling of a song. She has assembled a crack group of musicians here that gives her freedom to take those chances that make So Many Rivers stand out from the crowd. The six songs she wrote are among the standouts here. The slow-building strength of "The Storm" and the power and grit in "Give Me a Chance" add depth to this collection. She does a great job with putting some bounce into others' tunes ("Honeypie"). This is a standout from this queen of the gatorhythms that bring the swamp alive.


Nacido(a): 20 de marzo de 1949 en Orange, TX

Género: Blues

Años de actividad: '80s, '90s, '00s, '10s

Pianist and singer/songwriter Marcia Ball is a living example of how East Texas blues meets southwest Louisiana swamp rock. Ball was born March 20, 1949, in Orange, Texas, but grew up across the border in Vinton, Louisiana. That town is squarely in the heart of "the Texas triangle," an area that includes portions of both states and that has produced some of the country's greatest blues talents: Janis Joplin, Johnny and Edgar Winter, Queen Ida Guillory, Lonnie Brooks, Zachary Richard, Clifton Chenier,...
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So Many Rivers, Marcia Ball
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