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Notas editoriales de iTunes

Los Angeles electro-indie-pop-rock band Foster the People never had much official “indie” status, having been scooped up to the major leagues within their first year of performing. After making a decent splash at music festivals and creating a serious buzz with infectious numbers such as “Pumped Up Kicks” and “Helena Beat,” Foster the People are making good with a debut album that’s as fresh as sunshine and as refreshing as a surf wave. The group have touches of California sunbaked pop in their repertoire, but there’s also a dark Euro-disco groove lurking under the hooks of “Don’t Stop (Color On the Walls)” and the thick, goth-like wash of “Waste.” Singer Mark Foster plays and programs enough keyboards to give the songs a grand entrance, while other members contribute to the production to jazz up and space out tracks like “Miss You” and “Life On the Nickel.” “Warrant” works under an ambient haze. “Houdini” charges with an unforgiving groove, squeaky synths and a falsetto that reaches back to the ‘70s disco era.

Reseñas de usuarios

Gran álbum

Hace poco descubrí esta banda que de hecho es nueva, y la verdad que su música me fascina, altamente recomendable

Gran debut, con un gran disco.

Un disco excelente!!. Musica totalmente nueva.

EXELENTE

MUSICA NUEVA ! BIENVENIDA. Un nuevo genero para seguir escuchando la mejor musica. Gracias FOSTER THE PEOPLE !

Biografía

Se formó en: 2009 en Los Angeles, CA

Género: Alternativa

Años de actividad: '00s, '10s

Formed in Los Angeles in 2009 by multi-instrumentalist singer/songwriter Mark Foster, indie rock trio Foster the People make melodic and atmospheric, dance-oriented pop. Foster initially began the project alone, but before long he added long-term friend Cubbie Fink on bass and drummer Mark Pontius to complete the lineup. The following year, their single "Pumped Up Kicks" was posted on their website, picking up considerable buzz online and significant airplay on KROQ, alongside packed performances...
Biografía completa
Torches, Foster the People
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