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Fakir Sind

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Reseña de álbum

Fakir Sind belongs to the group of Muslimgauze albums that are quite diverse as wholes. Not diverse musically, perhaps, but Fakir Sind provides a lot of something that Muslimgauze's songs usually lack: vocals. All tracks on this album are based on a rhythm track with the usual Muslimgauze instruments (percussion and an electronic bass), occasional background noises, and a sampled vocal loop. Fakir Sind is, like many other Muslimgauze works, pretty repetitive and recycles samples, but it stands out very well from Muslimgauze's discography, as it is one of the best implementations Bryn Jones made. Also Fakir Sind is very good as a whole and carries a unifying theme; there are many tracks that qualify as hits, such as "Let's Have More Dagga, Begum" and "Hindu Kush Opium Crop." Fakir Sind is evidence that Muslimgauze's large discography isn't just the repetition of one innovative sound; Bryn Jones invented Muslimgauze again and again. ~ Antti J. Ravelin, Rovi


Nacido(a): 17 de junio de 1961 en Manchester, England

Género: Electrónica

Años de actividad: '80s, '90s

Bryn Jones was not a practicing Muslim and never went to the Middle East. His recordings as Muslimgauze, however, qualified him as one of the Western artists most explicitly slanted in his favor of the Palestinian liberation movement. Since the Manchester-native's works were instrumental, most of the political statement was inherent in the packaging: Witness titles such as Fatah Guerrilla, Return of Black September, Hebron Massacre, Vote Hezbollah, United States of Islam and The Rape of Palestine....
Biografía completa

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Fakir Sind, Muslimgauze
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