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Just Do Me Right

Asie Payton

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Reseña de álbum

This posthumous complement to Payton's only studio disc is something of a revelation. Not only does it confirm that he was a great blues and soul singer (just check out "Back to the Bridge," with its "In the Midnight Hour" riff, or the lazy groove of "I Got a Friend," with its percolating wah-wah guitar line), but it shows the man could play funk too — "1000 Years" roars out of the speakers straight to the dancefloor, powered by some unexpected horns, and "Need My Help" has all the power of a latter-day Hendrix song. All of that isn't to say he didn't play a lot of gutbucket acoustic blues, too; "Livin' in So Much Pain" is about as down-home as you can get. In many ways, there seemed to be no end to his passion for different styles of music. "Nobody But You" could almost have come out of the Stax studios circa 1965, while "Watch Yourself" is a barnburning R&B/early rock & roll track that kicks like a mule. While Payton's other album showed him to be a man of talent, this offers that talent to its full extent, drawn together from sessions recorded in studios and at the houses of friends. But instead of being a ragtag collection of odds and sods, the result is a soaring testimony to someone who was an unsung great in his lifetime.

Biografía

Nacido(a): 1937 en Holly Ridge, MS

Género: Blues

Años de actividad: '60s, '70s, '80s, '90s

Though he was also a bluesman, most of Asie Payton's 60 years were spent as a farmer, driving a tractor on his land in Holly Ridge, MS. Living in a shotgun shack and working his fields took most of Payton's time, but he also wrote and performed blues originals, playing at places like the local grocery store, Junior Kimbrough's club, and Jimmy's Auto Care. Two of his club performances were recorded by Fat Possum records, with the intention of using them as demo tapes for a studio album. Payton's ties...
Biografía completa
Just Do Me Right, Asie Payton
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