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Intuit, a quartet session devoted entirely to standards, is not entirely representative of Kurt Rosenwinkel's art. However, it does reveal the depth of the guitarist's expertise in the bop idiom, and is therefore worth the attention of devoted fans. Rosenwinkel's sound throughout this straight-ahead excursion is fairly dry — a touch of reverb, no shimmering delay, no ethereal vocalizing, a bit less distinctive than usual. His highly modern approach to harmony often comes through, however, even on vehicles as traditional as "Darn That Dream." And, as always, he uses the physical properties of the guitar to alter the sonic dimensions of his lines, as when he plays a long string of 16th notes near the bridge during his solo on "When Sunny Gets Blue." Other highlights include two fast takes of George Shearing's "Conception" and two less-than-commonplace Charlie Parker heads, "Dewey Square" and "Segment." (Miles Davis's "Sippin' at Bells" is wrongly credited to Parker as well.) Rosenwinkel's partners are pianist Michael Kanan (author of "Epiphany," the date's only original), bassist Joe Martin, and drummer Tim Pleasant. The way he interacts with these straight-ahead players says a great deal about his breadth as a jazz musician. It also foreshadows his later attempts to blur the boundary between standard and original repertoire. ~ David R. Adler, Rovi


Geboren: 28. Oktober 1970 in Philadelphia, PA

Genre: Jazz

Jahre aktiv: '90s, '00s, '10s

Guitarist Kurt Rosenwinkel began his professional career in 1990, when he dropped out of Berklee only two and a half years into his college education to go on tour with Gary Burton and his band. Burton gave the young musician a hand up, helping him move to New York, giving him money, and setting him up with the kind of connections that Rosenwinkel needed to get started. The effort paid off when Rosenwinkel shortly became one of the most respected jazz guitarists on the East Coast. His fluid style...
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Intuit, Kurt Rosenwinkel
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