18 Songs, 1 Hour, 30 Minutes
EDITORS’ NOTES
Hollywood’s titanic pairing of crime-fighters yields an equally tantalising union of composers. Unsurprisingly these instrumentals suggests Zimmer’s Man of Steel and Dark Knight trilogy compositions in melody, grandeur and mastery of ferocity and calm, while the deranged warrior rhythms of Junkie XL’s Mad Max: Fury Road soundtrack charge “Their War Here” and “Is She with You? (Wonder Woman Theme)”. However, the ominous fusion of pianos, strings and discord on “The Red Capes Are Coming (Lex Luthor Theme)” confirms that, even among superheroes, the devil gets the best tunes.
Batman v Superman: Dawn of Justice (Original Motion Picture Soundtrack) [Deluxe Edition] Hans Zimmer & Junkie XL
EDITORS’ NOTES
Hollywood’s titanic pairing of crime-fighters yields an equally tantalising union of composers. Unsurprisingly these instrumentals suggests Zimmer’s Man of Steel and Dark Knight trilogy compositions in melody, grandeur and mastery of ferocity and calm, while the deranged warrior rhythms of Junkie XL’s Mad Max: Fury Road soundtrack charge “Their War Here” and “Is She with You? (Wonder Woman Theme)”. However, the ominous fusion of pianos, strings and discord on “The Red Capes Are Coming (Lex Luthor Theme)” confirms that, even among superheroes, the devil gets the best tunes.
| TITLE | TIME | ||
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Beautiful Lie
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Their War Here
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The Red Capes Are Coming (Lex Luthor Theme)
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Day of the Dead
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Must There Be a Superman?
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New Rules
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Do You Bleed?
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Problems Up Here
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Black and Blue
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Tuesday
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Is She with You? (Wonder Woman Theme)
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This Is My World
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Men Are Still Good (The Batman Suite)
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Blood of My Blood (Bonus Track)
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Vigilante (Bonus Track)
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May I Help You, Mr. Wayne? (Bonus Track)
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They Were Hunters (Bonus Track)
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Fight Night (Bonus Track)
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About Hans Zimmer
One of the most prolific film composers of the late 20th and early 21st centuries, Hans Zimmer was born September 12, 1957 in Frankfurt, Germany. After relocating to London as a teen, he later wrote advertising jingles for Air-Edel Associates, and in 1980 collaborated with the Buggles on their LP The Age of Plastic and its accompanying hit "Video Killed the Radio Star." A stint with Ultravox followed before Zimmer next surfaced with the Italian avant-garde group Krisma; he then formed a partnership with film composer Stanley Myers, and together they founded the London-based Lillie Yard recording studio. Zimmer and Myers' movie work of the period, which included material for pictures including Moonlighting, Success Is the Best Revenge, Insignificance, and the acclaimed My Beautiful Laundrette, made significant strides in fusing the traditional orchestral aesthetic of film composition with state-of-the-art electronics, and proved highly influential on countless soundtracks to follow.
In 1986 Zimmer joined David Byrne and Ryuichi Sakamoto on their Oscar-winning score to The Last Emperor; his work on the apartheid drama A World Apart was his first major solo credit, and led to his Academy Award-nominated score for 1988's Best Picture-winning smash Rain Man. The following year Zimmer again composed the soundtrack for a Best Picture winner, this time Bruce Beresford's Driving Miss Daisy; a remarkably prolific writer, by the time the '90s dawned his music was a Hollywood staple, with a list of hits including Black Rain, Backdraft, Thelma & Louise, A League of Their Own, and Days of Thunder. Zimmer scored his biggest commercial hit in 1994 with his work on Disney's The Lion King; the film's soundtrack garnered countless awards, including an Oscar, a Golden Globe, and two Grammys. Later adapted for the Broadway stage, The Lion King took home the 1998 Tony for Best Musical as well.
In 1995, Zimmer also earned a Grammy for his work on Crimson Tide, which was honored as Best Original Score Written for a Motion Picture. Another Academy Award nomination followed for 1996's The Preacher's Wife; that same year, he earned BMI's prestigious Richard Kirk Award for lifetime achievement. Zimmer earned another Oscar nomination for his work on the James L. Brooks comedy As Good as It Gets in 1997, repeating the feat for the third consecutive year in 1998 with his score for the Terrence Malick masterpiece The Thin Red Line. His contributions to The Prince of Egypt also earned a Golden Globe bid earlier that same year.
The 2000s marked an auspicious time in the composer's career, as he continued scoring the biggest A-list films of the season, averaging two or three blockbusters a year, including Hannibal, Gladiator, The Last Samurai, and The Da Vinci Code. In 2007, Silva Screen Records released Film Music of Hans Zimmer, a double-disc set highlighting his achievements as a movie music-maker. Later in 2007, he reworked Alf Clausen's zany Simpsons theme into a traditional symphonic film score on The Simpsons Movie. As the 2000s came to a close and the 2010s began, Zimmer's name remained synonymous with blockbusters as he scored later installments in the Sherlock Holmes, Pirates of the Caribbean, and Batman franchises, including 2012's The Dark Knight Rises. His score to Christopher Nolan's 2010 film Inception was nominated for an Academy Award for Best Music and Original Score, and also earned a Saturn from the Academy of Science Fiction, Fantasy & Horror Films for Best Music. Devastated by the Aurora, Colorado shootings in 2012, Zimmer composed a choral arrangement of the Dark Knight Rises theme, simply entitled "Aurora," to help raise money for the victims of the tragedy.
In 2014 Zimmer released the score for The Amazing Spider-Man 2, which was issued under the moniker Hans Zimmer & the Magnificent Six and featured contributions from Johnny Marr (the Smiths), Junkie XL, Michael Einziger (Incubus), Andrew Kawczynski, Pharrell Williams, and Steve Mazzaro. Early the next year, he learned he'd been nominated for another Academy Award, this time for his work on Christopher Nolan's sci-fi hit Interstellar. Among other franchise entries, he went on to provide music for 2016's Batman v Superman: Dawn of Justice, which was co-scored with Junkie XL; the BBC nature documentary series Planet Earth II; and the award-winning Hidden Figures, which saw Zimmer working once again with Pharrell Williams. He would also add another Nolan collaboration to his body of work with 2017's Dunkirk. ~ Jason Ankeny
In 1986 Zimmer joined David Byrne and Ryuichi Sakamoto on their Oscar-winning score to The Last Emperor; his work on the apartheid drama A World Apart was his first major solo credit, and led to his Academy Award-nominated score for 1988's Best Picture-winning smash Rain Man. The following year Zimmer again composed the soundtrack for a Best Picture winner, this time Bruce Beresford's Driving Miss Daisy; a remarkably prolific writer, by the time the '90s dawned his music was a Hollywood staple, with a list of hits including Black Rain, Backdraft, Thelma & Louise, A League of Their Own, and Days of Thunder. Zimmer scored his biggest commercial hit in 1994 with his work on Disney's The Lion King; the film's soundtrack garnered countless awards, including an Oscar, a Golden Globe, and two Grammys. Later adapted for the Broadway stage, The Lion King took home the 1998 Tony for Best Musical as well.
In 1995, Zimmer also earned a Grammy for his work on Crimson Tide, which was honored as Best Original Score Written for a Motion Picture. Another Academy Award nomination followed for 1996's The Preacher's Wife; that same year, he earned BMI's prestigious Richard Kirk Award for lifetime achievement. Zimmer earned another Oscar nomination for his work on the James L. Brooks comedy As Good as It Gets in 1997, repeating the feat for the third consecutive year in 1998 with his score for the Terrence Malick masterpiece The Thin Red Line. His contributions to The Prince of Egypt also earned a Golden Globe bid earlier that same year.
The 2000s marked an auspicious time in the composer's career, as he continued scoring the biggest A-list films of the season, averaging two or three blockbusters a year, including Hannibal, Gladiator, The Last Samurai, and The Da Vinci Code. In 2007, Silva Screen Records released Film Music of Hans Zimmer, a double-disc set highlighting his achievements as a movie music-maker. Later in 2007, he reworked Alf Clausen's zany Simpsons theme into a traditional symphonic film score on The Simpsons Movie. As the 2000s came to a close and the 2010s began, Zimmer's name remained synonymous with blockbusters as he scored later installments in the Sherlock Holmes, Pirates of the Caribbean, and Batman franchises, including 2012's The Dark Knight Rises. His score to Christopher Nolan's 2010 film Inception was nominated for an Academy Award for Best Music and Original Score, and also earned a Saturn from the Academy of Science Fiction, Fantasy & Horror Films for Best Music. Devastated by the Aurora, Colorado shootings in 2012, Zimmer composed a choral arrangement of the Dark Knight Rises theme, simply entitled "Aurora," to help raise money for the victims of the tragedy.
In 2014 Zimmer released the score for The Amazing Spider-Man 2, which was issued under the moniker Hans Zimmer & the Magnificent Six and featured contributions from Johnny Marr (the Smiths), Junkie XL, Michael Einziger (Incubus), Andrew Kawczynski, Pharrell Williams, and Steve Mazzaro. Early the next year, he learned he'd been nominated for another Academy Award, this time for his work on Christopher Nolan's sci-fi hit Interstellar. Among other franchise entries, he went on to provide music for 2016's Batman v Superman: Dawn of Justice, which was co-scored with Junkie XL; the BBC nature documentary series Planet Earth II; and the award-winning Hidden Figures, which saw Zimmer working once again with Pharrell Williams. He would also add another Nolan collaboration to his body of work with 2017's Dunkirk. ~ Jason Ankeny
- HOMETOWN
- Frankfurt, Germany
- GENRE
- Soundtrack
- BORN
- 12 September 1957
Songs
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Now We Are FreeLisa Gerrard, Gavin Greenaway, The Lyndhurst Orchestra, Bruce Fowler, Yvonne S. Moriarty, Walt Fowler, Ladd McIntosh, Elizabeth Finch, Jack Smalley & Hans Zimmer 2018
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TimeHans Zimmer 2018
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Drink Up Me Hearties Yo HoHans Zimmer 2018
Albums
Gladiator (Soundtrack from the Motion Picture)
2000
Inception (Music from the Motion Picture)
2010
Spirit: Stallion of the Cimarron (Soundtrack from the Motion Picture)
2002
Interstellar (Original Motion Picture Soundtrack) [Deluxe Version]
2014
The Dark Knight (Original Motion Picture Soundtrack)
2008
The Dark Knight Rises (Original Motion Picture Soundtrack) [Deluxe Version with 3 Bonus Tracks]
2012
Videos
Listeners Also Played
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Lorne Balfe
Mad Max: Fury Road (Original Motion Picture Soundtrack) [Deluxe Version]
Junkie XL
From Panel to Screen: Comic Book Movie Themes (Cover Version)
The True Believers Film Orchestra
Superhero vs Sci-Fi (The Ultimate Film & Trailer Soundtrack)
Various Artists
Captain America: Civil War (Original Motion Picture Soundtrack)
Henry Jackman
The Flash: Season 1 (Original Television Soundtrack)
Blake Neely
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