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Blue Moves

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Album Review

The immense creativity that had spurred Elton John to realize no less than 11 studio albums in under seven years was beginning to show signs of inevitable fatigue. The same can be said as well of the artist's unfathomable physical stamina, which had included practically nonstop touring around the globe since the early '70s. Although initially Blue Moves (1976) was summarily dismissed by both critics as well as longtime enthusiasts, the double LP has since gained considerable stature within John's voluminous catalog. While comparisons were inevitable to the landmark two-disc Goodbye Yellow Brick Road (1973) song cycle, most similarities in musical style and content end there. John's band had expanded to include the talents of James Newton Howard (keyboards/orchestral arrangements), Kenny Passarelli (bass), Roger Pope (drums), and Caleb Quaye (guitar) — the latter pairing had actually performed with John as far back as his first long-player, Empty Sky (1968) — as well as Davey Johnstone (guitar) and Ray Cooper (percussion) from the "classic" early-to-mid-'70s lineup. As the title suggests, Blue Moves is a departure from the heavier Rock of the Westies (1975). Instead, the album purposefully focuses on moodier and more introspective sides — such as the single "Sorry Seems to Be the Hardest Word" (the effort's sole hit), the achingly poignant "Tonight," and "Cage the Songbird," the latter of which is particularly noteworthy as it recalls the life of Edith Piaf in much the same way that "Candle in the Wind" had immortalized Marilyn Monroe. "One Horse Town," which John briefly revived as a dramatic show opener during late-'80s live performances, is one of Blue Moves' most powerful and straight-ahead rockers. The lively string arrangement by Howard stands as one of the finest contributions to his short-lived tenure in this band, which for all intents and purposes dismantled after the album was recorded in March of 1976. Other standouts include the full-tilt gospel vibe of "Boogie Pilgrim" — which features backing vocals from both the Cornerstone Institutional Baptist and the Southern California choirs under the direction of Rev. James Cleveland — "Crazy Water," the haunting ballad "Idol," as well as the set's closing R&B vamp, "Bite Your Lip (Get Up and Dance!)." While Blue Moves is a far cry from essential entries such as Tumbleweed Connection (1971) or Captain Fantastic and the Brown Dirt Cowboys (1975), the bright moments prove that John could still offer up more than average material. It is also worth mentioning that this effort marked the end of John's initial collaboration with lyricist Bernie Taupin, who would resurface some three years later, albeit haphazardly on 21 at 33 (1979).

Customer Reviews

Boppy ,taught verging on disco

This album has its own character and was the last of the really creative stuff he did (sorry Elton) .This works after this became 'pop' without that special zest that carries music on after the period it is written in.
Blue Moves has much percussion and staccato (is this wright) but still with a musical sincerity that Elton lost in 'Two low for zero' etc in his latter stuff. I would put his best albums in order of GYBR, MadMan across the water, Caribou-Captain fantastic .... ,Don't shoot me...,Blue moves. Anyway great stuff.

Blue Movies

Maybe it was my age at the time (15), but my obsession with Elton John was cemented with this double album. Forty years later, it still holds up as one of his best. I'd say top five; (Goodbye Yellow Brick Road, Don't Shoot Me..., Captain Fantastic..., Made in England). It's all there; he's drawn to the groove, lush arrangements, beautiful songs, no labour, effortless. This is gold.

ANYTHING elton and bernie write ...

… is as good as this, yet to be FULLY celebrated album …. Blue Moves
thanks guys, i adore you

Biography

Born: 25 March 1947 in Pinner, Middlesex, England

Genre: Pop

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Elton John was the biggest pop star of the '70s, grabbing headlines and generating hits throughout the world. As it turned out, this was merely the first act in a remarkable career that kept him at the top of the charts for over 25 years. He charted a Top 40 hit single every year between 1970 and 1996, a sign that he knew how to both change with the times and mold the times to fit him. Initially marketed as a singer/songwriter, John soon revealed he could craft Beatlesque pop and pound out rockers...
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