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Strange House (International Version)

The Horrors

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Album Review

On their singles and EPs, the Horrors proved they'd done their post-punk and freakbeat homework. With their debut album, Strange House, they push their sound forward, distill it to its rawest essence, and give it a few funhouse mirror twists and turns for good measure. Almost half of the songs on the album already appeared on previous Horrors releases, but the ever-so-slightly cleaner production here gives more definition to their black-on-black sound. The band kicks off Strange House by revisiting their cover of Screaming Lord Sutch's "Jack the Ripper," which begins at a zombie-slow pace, then suddenly speeds up halfway through, transforming into a hurtling roller coaster of a song that makes a great introduction to Strange House's mix of campy humor, energy, and menace. With its dive-bombing noise barely held together by Faris Badwan's shouting and the faintest hint of a melody, "Sheena Is a Parasite" is still the Horrors' best and most radical song, although several other tracks here rival its black-hearted thrills. Once again, Spider Webb's vicious keyboards are the band's not-so-secret weapon, especially on the fantastic, strutting "She Is the New Thing," which blurs the line between girls and trends, flings and boredom, with macabre flair. On Strange House's wildest tracks, the Horrors channel their idol Joe Meek's love of wild sounds. "Thunderclaps" grafts galloping rhythms, twangy guitars, and chanted backing vocals together, Frankenstein-style, while "Little Victories" brandishes noisy onslaughts and turns them off just as quickly. The very end of the album gets even weirder and more deconstructed: "Gil Sleeping"'s woozy organs and jazzy drumming and "A Train Roars"' ominous, loping rhythms show that the Horrors are committed to pushing the boundaries of their sound, even if these experiments aren't quite as immediate as their more song-based work. The Horrors are unabashedly arty and stylish, but they're a great example of the kind of art-school band that lurks in the shadows of British rock (and of which there have been too few in the 2000s). If you like what the Horrors do, then Strange House is an album that can never be loud enough.

Customer Reviews

Friggin' Awesome

These blokes are sick. I generally love brit rock and this just furthers my view. Love everything on the album. Great stuff. Oh, and I know its probably just the keyboards but they sound a bit like the Stranglers

Horrors > Everything. :)

I'm not usually one to write reviews, but my god, The Horrors are one of those bands that you'd do anything for. :) They are absolutely amaaaaazing, and so is this album. 'Nuff said. They aren't overly huge in Australia right now, but they definitely deserve to be, especially with tracks like 'She Is The New Thing', 'Gloves', 'Count In Fives' and of course, 'Sheena Is A Parasite'. 'Excellent Choice' is also brilliant, with the voice of Tomethy Furse adding to the awesomeness. (Yes, I thought it was Rhys, too. It has been confirmed by the band multiple times that it was Tomethy, apparently. Haha.) Buy this. And everything from The Horrors. You won't regret it. :)

ABSOLUTLYY GREAT.

WOW! The Horrors Are Amaziing. I love them to death! Buy this album Straight away,, You wont regret it. x]

Biography

Formed: 2005 in Southend-on-Sea, England

Genre: Alternative

Years Active: '00s, '10s

Beginning as a big-haired, black-clad garage-punk outfit and soon morphing into something more experimental, the Horrors featured singer Faris Badwan, bassist Tomethy Furse, guitarist Joshua Von Grimm, drummer Coffin Joe, and keyboardist Spider Webb. The Horrors formed in the summer of 2005 and quickly gained notoriety around London for their look, sound, and brief but frantic live shows. Loog soon signed them, and the Horrors released their official debut single, Sheena Is a Parasite/Jack the Ripper,...
Full Bio

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