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iTunes Review

Pick a genre and there’s a pretty good chance Dave Matthews and his band takes it on somewhere in their third album. Nominally a jam band, here the much-loved Virginia ensemble confidently stride across categories, incorporating folk, funk, flamenco, jazz, pop and country. Matthews’ Sting-like vocals cruise smoothly through the eclectic mix, while he showcases the mad skills of violinist Boyd Tinsley on the whirling ride of “Tripping Billies” and the smooth sax of LeRoi Moore on the jazzy “#41”.

Customer Reviews

Don't be mistaken.

You might listen to this album and think - music was better back then because This album evokes the souls of music lovers and sparks joy in a way that makes you want to turn up the volume and drum on the steering wheel regardless of who is watching. The truth is, very few people were making music this good then, which is the same as now. Amidst all the noise and audio clatter this album is a staple of quality and you owe it yourself to have a listen and keep it on hand for the days you want to make the sun shine a little brighter


Brilliant! A must have for any Dave Mathews Band fan to own!


Formed: 1991 in Charlottesville, VA

Genre: Rock

Years Active: '90s, '00s, '10s

Formed in the early '90s by South African vocalist/guitarist Dave Matthews, the Dave Matthews Band presented a more pop-oriented version of the Grateful Dead crossed with elements of jazz, funk, and the worldbeat explorations of Paul Simon and Sting. Matthews populated the group with several Virginia-based musicians -- bassist Stefan Lessard, saxophonist Leroi Moore, violinist Boyd Tinsley, drummer Carter Beauford, and short-lived keyboardist Peter Griesar -- and the band built up a strong word-of-mouth...
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