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Album Review

Only slightly less essential than A Meeting by the River, his Grammy-winning 1993 collaboration with Ry Cooder, this album pairs legendary Indian guitarist Vishwa Mohan Bhatt with new grass pioneers Jerry Douglas and Edgar Meyer. It's an oddly endearing Bengali-gone-bluegrass experiment in fusion few might expect to work, but once those lightning-fast fingers start blazing away on chord progressions that seem to originate in some strange universe halfway between Nashville and nirvana, all preconceptions are blown right out the window. Dizzying solos make this an imaginative masterpiece.


Born: 28 May 1956 in Warren, Ohio

Genre: Country

Years Active: '70s, '80s, '90s, '00s, '10s

Jerry Douglas is widely renowned as perhaps the finest Dobro player in contemporary acoustic music. His main foundation is bluegrass, but Douglas is an eclectic whose tastes run toward jazz, blues, folk, and straight-ahead country as well, and he's equally capable of appealing to bluegrass aficionados or new agers with a taste for instrumental roots music. What's more, his progressive sensibility as a composer has earned him comparisons to like-minded virtuosos Béla Fleck and David Grisman. Douglas...
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Bourbon & Rosewater, Jerry Douglas
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