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Make It Funky - The Big Payback (1971-1975)

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Album Review

While the first half of the 1970s saw James Brown's sales and art start to slowly decline, at their best he and the J.B.'s remained capable of generating a lot of heat. Record-wise it was a very erratic period, especially on his albums, which makes this two-and-a-half-hour double-disc compilation of his best material from the era especially welcome. Besides his biggest hits from the time ("Make It Funky," "Get on the Good Foot," "The Payback," "Funky President"), it has a number of high-charting R&B 45s that didn't make it onto the Star Time box. Familiar hits are sometimes presented in their full unedited mega-versions (12 minutes of "Make It Funky," 14 of "Papa Don't Take No Mess"), and there are also a few previously unreleased outtakes and alternate versions. It's only a disappointment relative to the towering accomplishments of his 1960s and early-'70s classics. On its own terms, it's excellent funk, if rather homogenous taken all at once, with occasional departures from the formula, like "Down and Out in New York City," with its poppy woodwinds.


Born: 03 May 1933 in Barnwell, SC

Genre: R&B/Soul

Years Active: '50s, '60s, '70s, '80s, '90s, '00s

"Soul Brother Number One," "the Godfather of Soul," "the Hardest Working Man in Show Business," "Mr. Dynamite" -- those are mighty titles, but no one can question that James Brown earned them more than any other performer. Other singers were more popular, others were equally skilled, but few other African-American musicians were so influential over the course of popular music. And no other musician, pop or otherwise, put on a more exciting, exhilarating stage show: Brown's performances were marvels...
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