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Album Review

In hindsight, the seven-track Hank EP would seem to herald the conclusion of Lambchop's "straight" country period — assuming, of course, that songs with titles like "Poor Bastard" and "I Sucked My Boss' Dick" could ever be considered pure country in the first place. The impossibly lush production which buoys tracks like "I'm a Stranger Here" and the gorgeous "Blame It on the Brunettes" screams Billy Sherrill, however, and the melancholia which permeates the disc is the stuff of which endless nights in smoky honky-tonks are made; ultimately, in their own singularly bizarre way, Lambchop has made what might just fly in under the radar as a classic country record, provided no one listens too closely. Of course, with the subsequent Thriller, they produced the most dissonant and difficult album of their career, kissing fame and fortune goodbye forever. Nashville's loss, not ours.


Formed: 1993 in Nashville, TN

Genre: Alternative

Years Active: '90s, '00s, '10s

Touted as "Nashville's most f*cked-up country band" by their label Merge Records, Lambchop was arguably the most consistently brilliant and unique American group to emerge during the 1990s. Their unclassifiable hybrid of country, soul, jazz, and avant-garde noise seemed at one time or another to drink from every conceivable tributary of contemporary music, its Baroque beauty all held together by the surreal lyrical wit and droll vocal presence of frontman Kurt Wagner. Although Lambchop's ever-rotating...
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Hank, Lambchop
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