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Laid (Remastered)

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Album Review

After having become superstars in the U.K. with songs like "Sit Down" and then undergone an acoustic American tour opening for Neil Young, James took a consciously quieter, subtler turn with its follow-up to Seven, Laid. This turned out not merely to be a nice way to undercut expectations, but a creative benchmark for the group, arguably its artistic peak. While there had always been a folky, rushed element to the band's work in its earliest days, the now-sextet, following the departure of trumpet Andy Diagram to concentrate on the Spaceheads, here focused instead on understated, moody compositions. Part of this approach no doubt had something to do with Brian Eno's production work, and certainly it's another feather in his cap. While his work with U2 combined with James' own seeming assumption of that band's throne in big rock terms could have resulted in The Joshua Tree redux, that didn't prove to be the case. Admittedly, a couple of songs are specifically aimed at arena-level sing-alongs, including lead single "Sometimes," which almost drowns under its own weight and speed, and the title track, a celebration of love and lust that ended up giving the band a surprise stateside radio hit. But Booth generally avoids Bono's melodramatics in both hushed and soaring mode, his ruminative singing sounding more like the calm reflections after energetic action, the band's quiet soundscapes a perfect combination of Eno's ear for space and vastness and the group's own abilities. Strong tracks are legion, including "One of the Three," allegedly about British hostages in Lebanon but much more accurately a sharp, harrowing meditation on Jesus and apparently meaningless sacrifice, and the low-key beauties of "Out to Get You" and "Knuckle Too Far." But the best punch is right at the end — the heartbreaking "Lullaby," a piano-led sigh of regret and wistful hope, and "Skindiving," Booth's near-wordless keen at his most affecting, floating over the low-volume shuffle and bite of the band. [The 2002 British re-release includes four songs not included on the original: the "Say Nothing Mix" of "Say Something" and live recordings of "Laid," "Sometimes," and "Five-O."]

Customer Reviews

Endlessly fascinating

If I was condemned to prison & could only take 1 album this would be it. It is extraordinary in the detail & subtlety of the arrangements, the way textures are gradually added & varied. Every time I listen carefully there is more to hear. Their other albums tend to be harder. I own several & enjoy them but this is in a class of its own.

Life changing

This album is nothing short of amazing, in fact its one of those albums that will remain for ever more in your psyche. You cannot help but fall in love with it (as with most of this band's work). I'm not some sort of religous devotee of James and have nevbr seen them live (although I wish I had). I came across this album by accident 6 years ago and still play it all the time. They have this uncanny ability to intertwine lyric, mood and energy through their songs superbly. The result is a rich, passionate cascade of humanity from the upbeat (Laid) to the haunting (Out to get you) to the simply beautiful (Sometimes and Say Something). You will never regret buying this album.

Biography

Formed: 1982 in Manchester, England

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

As one of the first groups to be dubbed "the next Smiths," James became an institution on the British alternative music scene during the '80s and '90s with their pleasant folk-pop. Early in their career, James were praised by their idol Morrissey, which turned out to be both a blessing and a curse. The group was pegged as second-rate Smiths, yet continued to tour and record, eventually gaining a sizable following. In the late '80s, James, like many of their British peers, became involved in the acid...
Full Bio
Laid (Remastered), James
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