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Album Review

A moderately successful, if somewhat obvious fusion of more traditional instrumentation with composed electronics and effects. Periodic vocals tend to distract from the shifting, exploratory nature of the music, but the instrumental tracks are well-crafted examples of dub-influenced experimental electronica.

Customer Reviews

Guys this is not the Evanescence

Look carefully... it's the artist Scorn and album Evanescence, has no relation to Amy Lee and her wonderful voice...

not what i was looking for

this album has nothing to do with Amy Lee and the band Evanecence, if you want to hear Amy, she's not here. as for this album it's pretty chilled so don't expect to mosh to this.

My review

I agree with most of your reviews, yes Amy Lee is a goddess and yes this album is absolutely horrible, I don't even think it was by them!


Born: 1991

Genre: Rock

Years Active: '90s, '00s

Closely allied with post-industrial dub terrorists such as Bill Laswell, Techno Animal, James Plotkin, Robert Musso, and Anton Fier, Birmingham-based artist Mick Harris is something of a study in extremes. A drummer with noted death metal outfit Napalm Death through the group's late-'80s/early-'90s heyday, Harris began experimenting with monochrome ambient and dub styles toward the tail-end of his association with that group. Releasing material through Earache as Scorn (his ambient dub aegis) and...
Full Bio
Evanescence, Scorn
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Customer Ratings

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