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Ecstasy

Deuter

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Album Review

Georg Deuter is still, after a recording career of more than 30 years, one of the top new agers in the recording industry. On Ecstasy he combines simple acoustics with deep electronics and smooth samples to create intricate atmospheres. The coolest thing about them is that they do not sound intricate. They sound easy and delicate. That quality makes the sound design a success. This album is absolutely gorgeous. It is warm in its embrace of deep listeners. The soundscapes are psychoactive. Deuter's appeal is universal. This CD will appeal to fans of Jonathan Goldman, Kitaro, Vangelis, and Constance Demby.

Biography

Genre: New Age

Years Active: '70s, '80s, '90s, '00s

Like many artists in the contemporary instrumental realm, Deuter mixes acoustic and electronic instruments, ethnic influences, and sounds from nature — only he's been doing it since the early '70s. Born in the German village of Falkenhagen, Deuter learned flute and taught himself to play guitar but was discouraged from pursuing music as a career. The trauma of a nearly fatal auto accident in 1970, however, motivated him to pursue his dreams. His first recording, D, was released on Kuckuck in...
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Ecstasy, Deuter
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