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Remember That I Love You

Kimya Dawson

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Album Review

Kimya Dawson has, if nothing else, confidence in what she is and what has to say, and she wants other people to feel the same way about themselves, too. Which doesn't mean that her fifth full-length release, Remember That I Love You, is an arrogant record; rather, it portrays an emotional honesty that, even in its weakness ("I'm trying to be brave/because when I'm brave other people feel brave/but I feel like my heart is caving in") — or perhaps because of this admittance — contains a strength and humanity that's seen in few contemporary artists. Dawson is concerned about the well-being of her listeners. She genuinely wants them to be happy. This desire to help, to be a friend, means that for Dawson, the musical portion of her songs (quickly strummed open acoustic guitar chords, the occasional bell or keyboard) takes a distant second place to her lyrics. Which is fine, because her words are so engaging, but it wouldn't hurt her to experiment a little more with chord progressions or keys (an exception is the darker "France," whose music, incidentally, she only co-wrote), as the melodies tend to blend easily into one another. The lyrics, however, are quite unique. Like any good folk (or anti-folk) singer, Dawson has a social consciousness that she's more than willing to explicitly share ("and I'll say f*ck Bush and f*ck this war" in "Looselips" or "We'd have 12/26 tattooed across our foreheads if something this atrocious happened on our coast instead" in "12/26," a response to her feelings of helplessness after the 2004 tsunami), but she doesn't come across as preachy or holier-than-thou. She's honest, and she's being herself, and that's all she wants, from herself and others. Yes, sometimes it takes a bit of reading between the lines to filter through the slightly non-sequitur, or even bizarre, lyrics ("when I saw Genevieve I really liked it when she said/what she said about the giant and the lemmings on the cliff/she said 'I like giants, especially girl giants/'cause all girls feel too big sometimes, regardless of their size") to reach the underlying message underneath, but it's kind of nice knowing that such positivity exists amidst the cynicism and anger of the outside world.

Customer Reviews

Juno

what a great record. Kimya writes endearing lyrics that are honest and down to earth, unrefined and raw. the makers of "Juno" picked a great artist to track the movie. if you liked juno, well i guess this record is really like juno mcguff in song.

The happiest music ever!!

Kimya Dawsons music is thoroughly amazing. Whenever you listen to her music it gives you a feeling of pure ecstasy. Better yet, it makes you want to give someone a smile and make their day even better. The lyrics are deep and meaningful, though she doesn't want you to think what is corrupt with the world as apposed to how grateful we should be. Kimya sings her songs in a light, cheery way which thoroughly reflects her personality. The stand-out track for me was definitely Loose Lips.

Biography

Born: 17 November 1972 in Newark, NJ

Genre: Alternative

Years Active: '90s, '00s, '10s

Singer/songwriter Kimya Dawson is best known for her work with the anti-folk outfit the Moldy Peaches, but she also maintained a lo-fi solo career during the 2000s. She made her solo debut with 2002's I'm Sorry That Sometimes I'm Mean, a collection of spare tunes performed mostly on the acoustic guitar, and continued releasing her own albums after the Moldy Peaches took a hiatus in 2004. Along the way, she contributed...
Full Bio