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The Amazing Spider-Man (Music from the Motion Picture)

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Album Review

Director Marc Webb tapped Oscar-winning composer James Horner for his 2012 reboot of the Spider-Man franchise, and while Horner's take on the beloved Marvel web-slinger may lack the pulsating gravitas that drove Danny Elfman's work on the 2002, Sam Raimi-directed version, it still manages to evoke many of the same feelings. Instead of focusing on the films' myriad action set pieces, Horner spends the majority of the score building off of the films' more human elements. Measured, quietly grand, and at times a little old-fashioned, What The Amazing Spider-Man lacks in audaciousness, it more than makes up for in heart.

Customer Reviews


Worth buying, I feel it fits very well with the tone of the film. I have seen the movie and trust me the music sounds so much more amazing in the movie.

My favourites are the theme, track 11 and lizard at school,
This is by no means a Dark Knight sound track but it's a nice cheesy buy


James never lets me down, , , and yet again has he done an amazing job with scoring a great movie. =D

Good Music

The music itself covers themes of action, love, the slow and the fast that makes a score something worth listening to, to mix it up a bit but still keeping its main themes intact. The music was placed poorly in the scenes of the movie, such as heroic/relieving themes at a point where Spider-Man was being matched by his opponent, which called for a more dramatic tone of this battle.
I highly recommend buying this score for the music is great and well composed as for many other James Horner scores, but the music placement was a massive let down for me.


Born: 14 August 1953 in Los Angeles, CA

Genre: Soundtrack

Years Active: '70s, '80s, '90s, '00s, '10s

Famed for his lush, sweeping scores for films including Braveheart, Apollo 13, and Titanic, the prolific composer James Horner was born in Los Angeles on August 14, 1953. Educated at London's Royal College of Music as well as local universities USC and UCLA, he landed his first motion picture assignments during the 1970s, scoring B-movies like The Lady in Red, Humanoids of the Deep, and Battle Beyond the Stars for producer Roger Corman's New World organization. By 1982, Horner had moved on to major...
Full Bio

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