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Beautiful World

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iTunes Review

The iconic boyband make their transition to manhood with some premium pop. One Robbie down, and eleven years on from breaking millions of teenage hearts, Beautiful World more than puts things right. The brooding “Patience”—Gary Barlow’s stately ode to taking it slow—showcases their new brand of mature pop, "Shine" is Mark Owen’s light-filled moment in the sun and completely irresistible, while the dreamy love story "I'd Wait For Life" pulls from ‘70s soft rock.

Customer Reviews

A new direction

A valiant effort. Influences from the Beetles, the Scissor Sisters and, dare I say it, James Blunt, eg. 'Hold on' in regards to the latter. Gary Barlow is obviously still the more experienced songwriter and singer, his tracks having a simplicity that adds to their beauty. The lesser vocals of the other boys are pumped up with the famous warmth and vibrancy of the group harmony and a tendency to huge production, almost to the point of over-production. Still, it is good to see an equality of vocal and writing, making an album of variety with light and shade. More than worth a listen. The harmonies of the guys are still well and truly there-that is what made them in the first place. This is a new direction for them and it was probably worth waiting for them to develop as men and musicians. Hoping they can again develop their adult sound in this vein, that will continue their longevity.

great comeback

not sure what the album review is for but its not for take thats beautiful world - this is a stunning comeback album, proving that the other 3 lads are more than garys back up singers.

Really Enjoyable!

This album is a great mix of up beat songs sprinkled with strong ballads. 10 years on and the sound and style shows the maturity the lads have gained as they share the singing and incorporate their life experiences into shared song writing. Some favourites - Reach Out, Beautiful World, Ain't No Sense in Love. A GREAT ALBUM.

Biography

Formed: 1990

Genre: Pop

Years Active: '90s, '00s, '10s

As the most popular teen pop sensation in Britain since the '60s, Take That ruled the U.K. charts during the first half of the '90s. In strict commercial terms, the band sold more records than any English act since the Beatles, though their cultural and musical importance was significantly less substantial. Conceived as the British answer to New Kids on the Block, Take That initially worked the same territory as their American counterparts, singing watered-down new jack R&B, urban soul, and mainstream...
Full Bio