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Until the Quiet Comes

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Electronic pop auteur Flying Lotus (a.k.a. Steven Ellison) displays a new clarity of vision on Until the Quiet Comes as he reins in the scattershot tendencies of 2010’s Cosmogramma in favor of a more unified approach. The composer/producer still offers inspired pastiches of jazz, hip-hop and ambient sounds. But where his earlier work could be intentionally jarring, this album takes the listener on a smoothly-sequenced journey through inner landscapes. Ellison is aided by such notables as Erykah Badu (floating diva-like above the tribal groove of “See Thru to U”), Radiohead’s Thom Yorke (making his dark presence felt in “Electric Candyman”) and the Long Lost’s Laura Darlington (cooing her way through the eerie expanses of “Phantasm”). There’s plenty of sinewy pulsation amidst the billowing electronica, supplied by Stephen “Thundercat” Bruner’s insistent bass lines and Ellison’s jittery programmed beats. From the funkified growl of “The Nightcaller” to the robotic munchkin twitch of “Putty Boy Strut” and the sweet psyche-soul of “DMT Song,” Flying Lotus infuses the album with mystical vibes laced with subversive humor. Unearthly yet inviting, Until the Quiet Comes’ sonic spell is hard to resist.

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Haven't stopped listening

This is brilliant, sounds like the picture looks

Biography

Born: 07 October 1983 in Los Angeles, CA

Genre: Electronic

Years Active: '00s, '10s

Experimental electronic music producer Flying Lotus, born Steven Ellison, is a grandson of songwriter Marilyn McLeod (the co-writer of Diana Ross' "Love Hangover"), as well as a great-nephew of pianist Alice Coltrane, and therefore a cousin of saxophonist Ravi Coltrane. Ellison made beats for the Cartoon Network's Adult Swim network before releasing his debut full-length, 1983, which resembled the work of fellow avant-garde hip-hop producers Madlib, J Dilla, and Ammoncontact on Plug Research in 2006....
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Until the Quiet Comes, Flying Lotus
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