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Warts & All, Vol. 6

moe.

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Album Review

The Warts and All series is for serious moe. fans only, and this sixth installment (taken from a performance in Lawrence, KS, and featuring cover art that looks appropriately similar to The Best of Kansas) offers up the usual mix of improvisation, rhythmic riffs, and energetic guitar noodling. It's nothing that the band's audience hasn't heard before, but the three-disc bootleg still features plenty of inspired moments, all of them captured in clear soundboard-quality sound. From the spacey textures that dot "Head" to the 45 straight minutes of interconnected music comprising disc two, moe. makes a sizable amount of noise for a five-person band, and Warts and All, Vol. 6 stands as a testament to the group's continued importance in the jam band genre. Those looking for focused, vocally inclined tunes won't find much beyond the first disc, where tracks like "Captain America" and "It" meld the band's jamming tendencies with the concise, commercial savvy of the Dave Matthews Band. But most returning fans will want to sink their teeth into the 14-minute tunes that dominate the rest of the set list — and given the album's limited-edition release, moe.rons should eat this up while it's still on the menu.

Biography

Formed: 1991

Genre: Rock

Years Active: '90s, '00s, '10s

Rising from the dingy college bars of upstate New York, moe. carved a niche for themselves with a distinct blend of Americana, melodic turns, clever songwriting, and jam band ethics. The bandmates were born and raised in the industrial town of Utica, but it took matriculation at the University of Buffalo for moe. to finally coalesce. Founded in 1990 by bassist/vocalist Rob Derhak, guitarist/vocalist Chuck Garvey, and original drummer Ray Schwartz, the band toured the university's party circuit under...
Full Bio

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