Traces of soul have always poked through the cracks between James Vincent McMorrow’s strummed acoustic chords. But on his third album, the Irish singer/songwriter’s penchant for experimental hip-hop and R&B shifts to centre stage. Here his glorious, hazy falsetto colours around the lazy loops and stuttering beats of “Evil”; on “Rising Water”, his voice is another element of driving percussion. And on the ballad “Last Story”, swooning sighs sung from a distance surround raindrop notes that patter and collect in a dreamy pool.