iTunes

Opening the iTunes Store.If iTunes doesn’t open, click the iTunes application icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music by [?], download iTunes now.

Already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

The High Llamas

View In iTunes

To preview a song, mouse over the title and click Play. Open iTunes to buy and download music.

Biography

Although the High Llamas are nominally a group, they're pretty much the brainchild of singer and guitarist Sean O'Hagan. O'Hagan did some time in the London-by-way-of-Dublin band Microdisney, in which he was the songwriting partner of Cathal Coughlan. After Microdisney split in 1988 (Coughlan forming Fatima Mansions), O'Hagan released a couple of import-only solo albums before forming the High Llamas. The Llamas issued their debut, Gideon Gaye, in 1994 to high praise in the British press; it was released in the States a year later almost as an afterthought, with virtually no fanfare. Comparisons of the High Llamas/O'Hagan to Brian Wilson/the Beach Boys are unavoidable, and not just from arcane critics. Anyone with a large Beach Boys collection will detect the uncanny resemblance to 1966-1970 Beach Boys, with the sophisticated melodies, the beautiful harmonies, and the elaborate production, with the emphasis on layered keyboards and orchestration. Echoes of Pet Sounds, Smile, Wild Honey, and Surf's Up predominate, though O'Hagan also claims Burt Bacharach as a major inspiration. The Llamas began to build a bigger and bigger fan base throughout the late '90s (in the US as well as the UK) and O'Hagen's ever-shifting, ever-growing stable of side musicians made sure every album was as beautifully arranged and carefully conceived as the last. Subsequent efforts include 1996's gorgeously sprawling Hawaii, 1997's warmly clinical Cold and Bouncy, and 1999's chilly Snowbug. Buzzle Bee arrived the following year, featuring a more stripped-down sound and guest vocals from Mary Hansen from Stereolab. Before her tragic death in late 2002, O'Hagen had Hansen onboard for the Llamas' chamber-pop masterpiece Beet, Maize & Corn. Virtually eliminating the standard 'electric guitar, bass and drums' formula, Beet, Maize & Corn was full of lilting strings, warm horns and gently plucked classical guitars, and proved to be a high achievement for the Llamas with both critics and fans. Four years later, in 2007, O'Hagen and company revisited the sunny sprawl of Hawaii (as well as Cold and Bouncy's technical slickness) for the upbeat and lovingly crafted Can Cladders. For 2011's Talahomi Way, the band opted for a warmer, more overtly '60s-inspired sound.

Top Songs