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Alone I Admire

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Album Review

Too relaxed to be true rock & roll and not quite ambient, Auburn Lull's debut CD, Alone I Admire, is more like symphonic space rock for the horn-rimmed set. The album is epic in scope, drenched with lazy keyboards, ethereal guitars, and synth-heavy textures. Songs move at a turtle-crawl pace, with shambling noise and sleepy attitude. Vocals on most songs are either non-existent or play a small, mixed-to-the-background role. The track "Old Mission" owes as much to Arvo Part as it does Spiritualized; with its stark cello and ever-shifting patchwork of synthesizers, the piece swirls along, foggy and brilliant. On a few of the numbers on Alone I Admire, drummer Jason Weisinger uses brushes rather than sticks, creating a jazzy, early Verve feel. Andrew Prinz's production suits the compositions well, mixing somber bass tones with the occasional piano flourish or drum loop. On "The Last Beat," tambourines and guitar intertwine to pleasantly diffuse the cold synths, adding organic warmth. While not as adventurous as labelmates Asha Vida and Mahogany, Auburn Lull has produced a fine debut and their best music to date.


Formed: 1994 in Lansing, MI

Genre: Alternative

Years Active: '90s, '00s

Like fellow Michiganders Windy & Carl and Asha Vida, Auburn Lull create lush space-rock and ethereal, Brian Eno-inspired soundscapes. Despite the fact that the once-thriving Michigan space-rock scene has all but faded out, Auburn Lull continues to evolve their brand of technicolor sound, steadily attracting critical acclaim and an ever-growing fan base. Auburn Lull formed in Lansing, MI in 1994 by Jason Kolb (guitars), Eli Wekenmen (guitars), Sean Heenan (guitars, vocals), and Jason Weisinger (drums)....
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Alone I Admire, Auburn Lull
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