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Album Review

With so many producers having shrugged off previously restrictive (albeit convenient) genre pigeonholing, it shouldn't really come as a surprise to find yet another artist popping up in unexpected territory. Despite all this, for a whole album of uplifting house from Japan's master of skeletal melodics to pop up on Tony Morley's forever impressive Leaf label, the listener was sure to incur some level of aural anaphylactic shock. Though some distance from the intricate arrangements that have characterized much of his previous work, Will demonstrates a hitherto little-known club-friendly side of Yokota's own Skintone imprint. Highlights of the eight-track broadcast from the artists' Shibuya studio includes the shuffling samba of "Red Door" and "Pegasus Man," just pipped by the deep grooves of "Black Sea," where beats tumble through misty atmospheres before becoming lost in barely discernible acoustic guitar loops.


Born: Japan

Genre: Electronic

Years Active: '80s, '90s, '00s, '10s

Susumu Yokota emerged in the early '90s as one of the most versatile and prolific electronic producers going. In his native Japan, he was known for many years as a top-tier dance music talent, specializing in all varieties of house while dabbling in techno, electro, and trance for the Sublime, Harthouse, and Planet Earth labels. Alternate aliases for his dance releases included Ringo, Prism, and Sonicstuff. While his dancefloor tracks were funky and playful with a heavy debt to epic disco -- he even...
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Will, Susumu Yokota
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