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Bleu pétrole

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Album Review

Released a year before Alain Bashung died of lung cancer on March 14, 2009, at the age of 61, Bleu Pétrole serves as a superb swan song for the chanson legend. This final full-length effort was a laudable comeback for Bashung, who hadn't released a new studio album since L'Imprudence (2002), and it returned him to the top of the French charts for the first time in six years. In some ways, Bleu Pétrole is similar to L'Imprudence. While that album was written in collaboration with Jean Fauque and Christophe Miossec, Bleu Pétrole is written in collaboration with Gaëtan Roussel of the band Louise Attaque and Gérard Manset, a contemporary of Bashung's whose career likewise goes back to the late '60s. Roussel is also credited with producing the album, along with multi-instrumentalist Mark Plati. Moreover, both albums were critically acclaimed as latter-day masterpieces. The difference is, whereas L'Imprudence is often described as a noir album, a somber and tortured portrait of an aging man, Bleu Pétrole is more luminous. Among the several highlights of the album are "Résidents de la République" and "Sur un Trapèze," both written solely by Roussel. Manset contributes another couple standouts, the nine-minute album centerpiece "Comme un Lego," and his 1975 hit "Il Voyage en Solitaire," the latter of which closes Bleu Pétrole (and in turn the recording career of Bashung) on a perfect note. Beside the contributions of Roussel and Manset, there's a wistful cover version of Graeme Allwright's adaption of Leonard Cohen's folk classic "Suzanne." In addition to the songs themselves, Bleu Pétrole is impressive from a musical standpoint. A trio of accomplished guitarists (Roussel, Marc Ribot, Arman Méliès) infuse the album with touches of rock, the rhythm section (comprised of Plati and several others) leans toward jazz, and the string arrangements supply an air of grandness. Furthermore, the music varies from song to song; for instance, "Vénus" relies almost entirely on a string arrangement and a tiny bit of banjo, and then, three songs later, "Je Tuerai la Pianiste" is driven by a powerful bass riff and blasts of electric guitar.

Customer Reviews

Sublime !

. Six ans après son chef d'oeuvre sombre et hermétique, le psalmodié "Imprudence", Bashung fait un virage salutaire avec un opus plus direct , plus extérieur, résolument folk-rock. Fini le talk-over, retour au chant, avec une voix puissante , posée, qui nous transperce.Au final, un très beau disque, qui n'est pas sans rappeler Fantaisie militaire, avec une touche Manset ( notamment sur l'extraordinaire Comme un lego ). Beauté, poésie, puissance. Album plus accessible que les derniers, moins pessimiste, plus ouvert aussi mais avec malgré tout ce halo de mystère et ce détachement de dandy propres à Bashung...

Vibrant

Mon Ipod en tremble de joie. Pour une fois la musique de France est la bienvenue. Superbe.Je ne vous connais pas assez MONSIEUR Bashung. Merci pour ce chef d'oeuvre.

Absolument GENIAL

Bashung nous avait déjà habitué à des albums de toute bonne qualité, mais ici, c'est tout simplement grandiose. Les 5 étoiles ne suffisent pas. Et cerise sur le gâteau, la tournée promo de l'album est à la hauteur. Merci Alain !

Biography

Born: 01 December 1947 in Paris, France

Genre: French Pop

Years Active: '60s, '70s, '80s, '90s, '00s

Though he was present at the birth of '60s rock & roll in France, it took another 15 years for Alain Bashung's star to rise. Born in Paris in 1947, he was raised in Alsace but left home at the age of 16 to begin playing in a cover band with several friends. The group lasted several years, until Bashung began recording on his own, for Philips, in 1966. Ten years would pass before any degree of success, though he did play a prominent role in 1972's La Revolution Française, the French rock opera produced...
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Bleu pétrole, Alain Bashung
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