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Album Review

There are some good solos by reed player Moe Koffman on this CD but he was clearly trying to be "with it" by chasing trends of the era. The repertoire (which includes "Comin' Home Baby," "Mercy, Mercy, Mercy," "Watermelon Man" and a remake of Koffman's big seller "Swinging Shepherd Blues") is dominated by jazz hits of the era and Koffman, who sometimes plays two tenors at once (sounding like a one-handed Rahsaan Roland Kirk!), also plays an electrified sax but is best on his flute. The Montreal-based organ-bass-drums rhythm section does their job well and there are enough worthwhile Koffman solos (particularly on the medium-up tempo "Spectacular" which is really "There Will Never Be Another You") to make this set worth picking up if not essential.


Born: 28 December 1928 in Toronto, Ontario, Canada

Genre: Jazz

Years Active: '50s, '60s, '70s

Moe Koffman became famous for his 1957 hit recording of "Swinging Shepherd Blues," a catchy flute feature. Otherwise, throughout his career Koffman has been a popular soloist whose music ranges from cool-toned bop to jazz interpretations of more pop-ish material; his commercial successes have sometimes overshadowed his fine improvising talents. Although he has spent most of his life in Canada, Koffman did work with the bands of Sonny Dunham, Ralph Flanagan, Charlie Barnet, Tex Beneke, and Jimmy Dorsey...
Full bio
1967, Moe Koffman
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