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To Swing Or Not To Swing (Vol. 3)

Barney Kessel

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Album Review

Guitarist Barney Kessel's string of recordings for Contemporary in the 1950s included some of the finest work of his career. The unusual repertoire on this set — which includes "Louisiana," "Indiana," and "12th Street Rag," along with four Kessel originals and more usual standards — would by itself make this bop/cool set noteworthy. Add to that a very interesting lineup of players (trumpeter Harry "Sweets" Edison, Georgie Auld or Bill Perkins on tenor, pianist Jimmy Rowles, the rhythm guitar of Al Hendrickson, bassist Red Mitchell, and Shelly Manne or Irv Cottler on drums) and some excellent showcases for Kessel, and the overall result is a recording highly recommended to fans of straight-ahead jazz.

Biography

Born: 17 October 1923 in Muskogee, OK

Genre: Jazz

Years Active: '40s, '50s, '60s, '70s, '80s, '90s, '00s

One of the finest guitarists to emerge after the death of Charlie Christian, Barney Kessel was a reliable bop soloist throughout his career. He played with a big band fronted by Chico Marx (1943), was fortunate enough to appear in the classic jazz short Jammin' the Blues (1944), and then worked with the big bands of Charlie Barnet (1944-1945) and Artie Shaw (1945); he also recorded with Shaw's Gramercy Five. Kessel became a busy studio musician in Los Angeles, but was always in demand for jazz records....
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To Swing Or Not To Swing (Vol. 3), Barney Kessel
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