Elephants...Teeth Sinking Into Heart by Rachael Yamagata on Apple Music

15 Songs

EDITORS’ NOTES

Divided into two parts, the first nine making up the brooding Elephants and the final five more anthemic tunes being Teeth Sinking Into Heart, Yamagata’s second album, four years in the making, is the result of love found and lost, intense introspection, and a prodigious amount of songwriting distilled to its essence. She doesn’t shy from resting in a deep quiet. “Little Life” floats down a tranquil stream for its verses before bursting like daybreak for the chorus, French horn, gong and a string section creating an ominous sense of unease. Nine minutes of “Sunday Afternoon” delivers the overwhelming sense of emotional disorder that accompanies the failure of young love as she declares “I won’t live for you / or die for you / or do anything more for you” amongst the rising strings and strangulated electric guitars. By the time she arrives at the album’s second half for the electrified attack of “Sidedish Friend,” it’s almost a wonder it’s taken her this long to finally lash out musically with all she’s worked through. Yet she returns to her beloved piano and a lonely ballad (“Don’t”) to close things off. Often haunting and eerie and emotionally naked, the album’s a bit like reading a young woman’s diary. Proceed with caution.

EDITORS’ NOTES

Divided into two parts, the first nine making up the brooding Elephants and the final five more anthemic tunes being Teeth Sinking Into Heart, Yamagata’s second album, four years in the making, is the result of love found and lost, intense introspection, and a prodigious amount of songwriting distilled to its essence. She doesn’t shy from resting in a deep quiet. “Little Life” floats down a tranquil stream for its verses before bursting like daybreak for the chorus, French horn, gong and a string section creating an ominous sense of unease. Nine minutes of “Sunday Afternoon” delivers the overwhelming sense of emotional disorder that accompanies the failure of young love as she declares “I won’t live for you / or die for you / or do anything more for you” amongst the rising strings and strangulated electric guitars. By the time she arrives at the album’s second half for the electrified attack of “Sidedish Friend,” it’s almost a wonder it’s taken her this long to finally lash out musically with all she’s worked through. Yet she returns to her beloved piano and a lonely ballad (“Don’t”) to close things off. Often haunting and eerie and emotionally naked, the album’s a bit like reading a young woman’s diary. Proceed with caution.

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5:03
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9:05
1:45
4:01
5:24
3:45
8:15
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2:59
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4:41
3:05

About Rachael Yamagata

Singer/songwriter Rachael Yamagata grew up listening to Carole King, Roberta Flack, James Taylor, and the like, for music was the one thing in Yamagata's life that remained consistent. Her parents divorced when she was two, forcing her to find a balance between her German-Italian mother's apartment in New York City and the Washington, D.C. residence of her third-generation Japanese father. Such frequent travel readied Yamagata for a way of life that would eventually lead her to a professional singing career. By the time she reached Northwestern University in the mid-'90s, Yamagata had one year of piano lessons and a spiral notebook full of songs under her belt. After pursuing a degree in French for one year, she relocated to New York to become an Italian theater major at Vassar. Sporadic changes loomed ahead, however. When her acting coach at Vassar moved to Barnard College, Yamagata thought she would go, too. She eventually opted to return to Northwestern instead, where she joined the theater program and befriended the funk band Bumpus during her junior year.

Bumpus was a mainstay on the club circuit in Chicago, and Yamagata soon landed a gig singing with the band. She spent six years in the lineup, recording three albums and touring the country along the way. By 2001, however, Yamagata felt her time with Bumpus had run its course. She had a solid batch of songs that didn't gel with the band's funkafied formula, and a solo career was soon launched.

In September 2002, Yamagata landed a deal with Arista's Private Music, and her self-titled EP arrived in October. Her first full-length album, Happenstance, followed in June 2004. Featuring production from John Alagía, who had previously helmed such albums as John Mayer's Room for Squares and Dave Matthews Band's Busted Stuff, the album's pop-tinged sound found its way onto several teen-driven TV shows, including The O.C. and Alias. Happenstance also endeared Yamagata to such musicians as Ray LaMontagne, Jason Mraz, Ryan Adams, Conor Oberst, and Rhett Miller, all of whom invited her to perform on their albums as Yamagata readied her sophomore effort. Boosted by such support, she returned in 2008 with Elephants...Teeth Sinking into Heart, an eclectic release that featured both intimate material and PJ Harvey-inspired rock. Yamagata used the crowdfunding website PledgeMusic to create her third full-length, 2011's laid-back Chesapeake, and again in 2016 to help fund that years highly anticipated Tightrope Walker. ~ MacKenzie Wilson & Andrew Leahey

  • ORIGIN
    Arlington, VA
  • BORN
    Sep 23, 1977

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