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Baby Wants to Boogie

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Album Review

Hans Theessink often gets the short end of the stick because he's a Dutch bluesman, which means he couldn't possibly be "legitimate" in the eyes of some critics. That's not really fair, since he's actually an imaginative, unpredictable guitarist. Granted, his albums can sound a little sterile, but that criticism can be applied to most contemporary blues albums. The main problem with his records is that they're interchangeable — all of them sound similar and all of them are about as strong as their predecessor. Baby Wants to Boogie isn't particularly different from his other albums, but it does have some good songs and solos, making it as good a place to learn about Theessink as any.


Born: 05 April 1948 in Enschede, The Netherlands

Genre: Blues

Years Active: '70s, '80s, '90s, '00s, '10s

Austria-based acoustic and electric folk musician and bluesman brings a freshness of appreciation to the American blues idiom, whether it's classic blues from the '20s and '30s or more modern urban blues from Chicago from the '50s and '60s. Theessink's discography of more than 20 albums -- all released in Europe -- includes his fresh takes on songs by Chuck Berry, John Fogerty, and Jimmy Cliff as well as more familiar blues fare by Rufus Thomas, Willie Dixon, Leadbelly, and even country icon Hank...
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Baby Wants to Boogie, Hans Theessink
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