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Baby Wants to Boogie

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Album Review

Hans Theessink often gets the short end of the stick because he's a Dutch bluesman, which means he couldn't possibly be "legitimate" in the eyes of some critics. That's not really fair, since he's actually an imaginative, unpredictable guitarist. Granted, his albums can sound a little sterile, but that criticism can be applied to most contemporary blues albums. The main problem with his records is that they're interchangeable — all of them sound similar and all of them are about as strong as their predecessor. Baby Wants to Boogie isn't particularly different from his other albums, but it does have some good songs and solos, making it as good a place to learn about Theessink as any.

Biography

Born: 05 April 1948 in Enschede, The Netherlands

Genre: Blues

Years Active: '70s, '80s, '90s, '00s

Austria-based acoustic and electric folk musician and bluesman Hans Theessink has performed at a handful of American blues and folk festivals, including the Philadelphia Folk Festival in the 1980s and '90s, but he doesn't seem to get to the U.S. nearly often enough. Like so many talented musicians from Great Britain and other parts of Europe, Theessink [pronounced Tay-sink] brings a freshness of appreciation to the American blues idiom, whether it's classic blues from the '20s and '30s or more modern...
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Baby Wants to Boogie, Hans Theessink
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