12 Songs

EDITORS’ NOTES

Throughout the Sisters of Mercy’s rocky career, there has been one constant: Andrew Eldritch. Even his drum machine, “Doktor Avalanche” has changed models. Eldritch began by denying the group’s obvious “gothic” ties before embracing them and making his “dark music” with the great support of fellow industrial and hard-rock bands who never came close to his sound or style. This “Greatest Hits” collection features selections from the Sisters of Mercy’s three studio albums, First and Last and Always, Floodland and Vision Thing, as well as the updated version of the band’s early hit, “Temple of Love,” and the first album appearance of the “Under the Gun” single. The order here is deliberately backwards, starting with the band’s last material and working its way to the first album. “Lucretia My Reflection” and “This Corrosion” from Floodland and “No Time to Cry” and “Walk Away" from the debut are solid introductions. But, surely, anyone entranced with their sound will want the complete studio albums soon enough.

EDITORS’ NOTES

Throughout the Sisters of Mercy’s rocky career, there has been one constant: Andrew Eldritch. Even his drum machine, “Doktor Avalanche” has changed models. Eldritch began by denying the group’s obvious “gothic” ties before embracing them and making his “dark music” with the great support of fellow industrial and hard-rock bands who never came close to his sound or style. This “Greatest Hits” collection features selections from the Sisters of Mercy’s three studio albums, First and Last and Always, Floodland and Vision Thing, as well as the updated version of the band’s early hit, “Temple of Love,” and the first album appearance of the “Under the Gun” single. The order here is deliberately backwards, starting with the band’s last material and working its way to the first album. “Lucretia My Reflection” and “This Corrosion” from Floodland and “No Time to Cry” and “Walk Away" from the debut are solid introductions. But, surely, anyone entranced with their sound will want the complete studio albums soon enough.

TITLE TIME
5:42
7:42
4:35
3:50
3:02
8:23
8:44
7:01
10:17
3:57
3:23
3:30

About The Sisters of Mercy

One of England's leading goth bands of the 1980s, the Sisters of Mercy play a slow, gloomy, ponderous hybrid of metal and psychedelia, often incorporating dance beats; the one constant in the band's career has been deep-voiced singer Andrew Eldritch. (There is some disagreement as to whether the group took its name from an order of Catholic nuns or from the Leonard Cohen song of the same name.) Eldritch originally formed the band in 1980 with guitarist Gary Marx and recorded its first single with a drum machine dubbed Doktor Avalanche. Guitarist Ben Gunn and bassist Craig Adams were added to make live gigs feasible, and the Sisters built a reputation through several singles and EPs. Gunn left the band in 1983 and was replaced by Wayne Hussey. The Sisters of Mercy recorded their first full-length album, First and Last and Always, in 1985, but two years later, internal dissent had split them apart; Marx left to form Ghost Dance, and Adams and Hussey departed shortly thereafter. A legal dispute ensued over the rights to the name Sisters of Mercy; Adams and Hussey attempted to use the name Sisterhood, but Eldritch released an EP under the name to prevent its usage, and the two finally settled on the Mission. Eldritch chiefly utilized a corps of temporary sidemen from this point on (although former Gun Club bassist Patricia Morrison was an official member of the group for a short time) and rebounded with his two biggest-selling American LPs, Floodland and Vision Thing. Despite ceasing studio recordings, Eldritch kept the band active as a performing entity through the first decade of the 2000s and beyond. ~ Steve Huey

  • ORIGIN
    Leeds, England
  • GENRE
    Rock
  • FORMED
    1980

Top Songs by The Sisters of Mercy

Top Albums by The Sisters of Mercy

Listeners Also Played