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Visions of the Emerald Beyond

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Album Review

As the second album to document the second Mahavishnu Orchestra, this one isn't as, well, apocalyptic as its predecessor, yet it does focus more intently on the band itself. Jean-Luc Ponty's curling electric violin lines help give this Mahavishnu band a more European sound than its predecessor, and some of the orchestral concepts of Apocalypse work their way into the picture via comments by a string trio and trumpet/sax duo. This band also had some interest in a bombastic funk direction that may have been borrowed from Mr. "Chameleon" Herbie Hancock, and would later be followed by Mahavishnu Two's drummer, Michael Walden. Gayle Moran's ethereal vocals don't date as badly as those on many jazz-rock records; at least she can sing. Overall, this Mahavishnu edition is more refined and not as aggressive as the first — although they could charge ahead pretty hard, as "Be Happy" and "On the Way Home to Earth" demonstrate — yet they were still capable of making memorable electric music. ~ Richard S. Ginell, Rovi

Biography

Formed: 1971

Genre: Jazz

Years Active: '70s, '80s

One of the premiere fusion groups, the Mahavishnu Orchestra were considered by most observers during their prime to be a rock band, but their sophisticated improvisations actually put their high-powered music between rock and jazz. Founder and leader John McLaughlin had recently played with Miles Davis and Tony Williams' Lifetime. The original lineup of the group was McLaughlin on electric guitar, violinist Jerry Goodman, keyboardist Jan Hammer, electric bassist Rick Laird, and drummer Billy Cobham....
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Visions of the Emerald Beyond, Mahavishnu Orchestra
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  • 8,99 €
  • Genres: Jazz, Music, Rock, Fusion
  • Released: Feb 1975

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