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Live at the Apollo

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Album Review

There are both good and bad points to this CD. Of the latter, the Phillip Morris "Super Band" is confined to background work with — other than a few spots for Plas Johnson's tenor — no soloists being heard from. As an ensemble, the all-star orchestra performs well, but is essentially anonymous. Also, despite the backing, B.B. King does not attempt to play jazz, a wasted opportunity. But, switching to the good points, Live at the Apollo is an excellent example of a strong B.B. King live performance. Somehow he always makes his combination of blues and familiar hits sound fresh. With a liberal amount of space set aside for his guitar solos, B.B. is in top form throughout the well-paced set, which is far superior to most of his overproduced studio sessions for MCA. Even if the big band is mostly irrelevant, this CD is recommended for B.B. King's singing and playing.


Born: 16 September 1925 in Indianola, MS

Genre: Blues

Years Active: '40s, '50s, '60s, '70s, '80s, '90s, '00s, '10s

Universally hailed as the king of the blues, the legendary B.B. King was without a doubt the single most important electric guitarist of the last half of the 20th century. His bent notes and staccato picking style influenced legions of contemporary bluesmen, while his gritty and confident voice -- capable of wringing every nuance from any lyric -- provided a worthy match for his passionate playing. Between 1951 and 1985, King notched an impressive 74 entries on Billboard's R&B charts, and he was...
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