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Live At the Revolver Club

Fennesz

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Album Review

This EP was recorded live at the Revolver in Melbourne, Australia, on February 3, 2000. Although it bears a CD-R catalog number and is packaged like Touch's CD-R line, it is not a CD-R but a limited pressing of 1,000 copies. Christian Fennesz has quickly become a major figure on the free improv electronics scene, and here he shows what his live magic is all about. The piece is made of white noise, analog electronics, some digital real-time editing, and (maybe?) electric guitar. Fennesz' approach here is rather minimal. He eludes the standard built-up format and keeps the music delicate and low-profile for the first half, before it suddenly explodes at eight-and-a-half minutes into the track, creating a wake-up call effect. A few minutes later, the piece quiets down into a polluted new age mood. Impressive. ~ François Couture, Rovi

Biography

Born: 25 December 1962 in Vienna, Austria

Genre: Electronic

Years Active: '90s, '00s, '10s

Vienna-based guitarist Christian Fennesz is one of the city's many artists associated with the noted Editions Mego label, which releases mostly free-form ambient and experimental electronica. Similar in some respects to the work of Seefeel or Experimental Audio Research, Fennesz's six-string soundscapes are both darker than the former and more complex and intricate than the latter, combining dense, multi-layered sheets of treated guitar and synth with thin, odd-metered electronic percussion and engaging...
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