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Music for Adverts (And Short Films)

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Album Review

With a cover thumbing its nose at Brian Eno's similarly titled series of albums from the 1970s and song titles ranging in reference from bad Hollywood films to washing powders, it would seem the Black Dog is engaged in a bit of a musical piss-take. Nothing of the sort, actually, as lone Dog Ken Downie's first solo work since the departure of partners Ed Handley and Andy Turner is a serious, often wistful collection of post-rave electronica, incorporating elements of techno, ambient, hip-hop, jungle, and jazz. Although lacking somewhat in complexity, Downie more than makes up for it in focus and emotional content.


Formed: 1989 in London, England

Genre: Electronic

Years Active: '90s, '00s, '10s

Taking their name from a British euphemism for imminent doom, the Black Dog (also appearing variously as Black Dog Productions, Balil, Xeper, and Plaid, among others) formed in the early '90s as the trio of Ken Downie, Ed Handley, and Andy Turner. Forging a challenging, relentless combination of early techno, electro, and hip-hop with a penchant for odd time signatures, high-tech atmospherics, and Egyptian iconography, the group immediately distinguished itself from the scores of disposable techno...
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Music for Adverts (And Short Films), The Black Dog
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