Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
iTunes

iTunes is the world's easiest way to organise and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from The Prodigy: Their Law the Singles 1990 - 2005 by The Prodigy, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

The Prodigy: Their Law the Singles 1990 - 2005

The Prodigy

Open iTunes to preview, buy and download music.

Album Review

Even more so than the celebrated Chemical Brothers — who began recording after Prodigy but received a hits compilation before — Liam Howlett and co. were fantastic singles artists who also fashioned excellent full-lengths. As such, Their Law 1990-2005, the singles collection that could put the cap on their career, is a collection that will leave listeners breathless but also one that can't capture how special Prodigy were to the electronica and rave scenes. Their biggest single, "Firestarter," comes first, and its LP (The Fat of the Land) gets most of the early slots, although things right themselves by the end with no less than five singles — all of them incredible — from 1995's Music for the Jilted Generation and four from 1992's Experience. Although including three tracks from 2004's desultory Always Outnumbered, Never Outgunned may help fans hear, for the first time, the best of a bad album, it's nearly criminal that it comes at the expense of solid material from Music for the Jilted Generation and Experience (like "Break & Enter" and "Wind It Up"). Although there are no new tracks (perhaps a good thing), included is an Audio Bullys remix of "Out of Space."

Biography

Formed: 1990 in Braintree, England

Genre: Electronic

Years Active: '90s, '00s, '10s

The Prodigy navigated the high wire, balancing artistic merit and mainstream visibility with more flair than any electronica act of the 1990s. Ably defeating the image-unconscious attitude of most electronic artists in favor of a focus on nominal frontman Keith Flint, the group crossed over to the mainstream of pop music with an incendiary live experience that approximated the original atmosphere of the British rave scene even while leaning uncomfortably close to arena rock showmanship and punk theatrics....
Full bio