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Album Review

Taking time off from his combo projects, altoist Phil Woods and his quartet (also including pianist Mike Melillo, bassist Steve Gilmore and drummer Bill Goodwin) teamed up with a British orchestra (which includes trumpeter Kenny Wheeler, keyboardist Gordon Beck and a string quartet) on this album to pay tribute through Woods' compositions to eight musicians who had by 1978 passed on: Cannonball Adderley, Paul Desmond, Oscar Pettiford, Oliver Nelson, Charlie Parker, percussionist Willie Rodriguez, trombonist Willie Dennis and Gary McFarland. Although none of the selections became well known, the altoist is in typically inspired form, putting plenty of emotion and exuberance into these inventive pieces. Worth searching for.


Born: 02 November 1931 in Springfield, MA

Genre: Jazz

Years Active: '40s, '50s, '60s, '70s, '80s, '90s, '00s, '10s

One of the true masters of the bop vocabulary, Phil Woods had his own sound beginning in the mid-'50s and stuck to his musical guns throughout a remarkably productive career. There was never a doubt that he was one of the top alto saxophonists in jazz, and he lost neither his enthusiasm nor his creativity through the years. Woods' first alto was left to him by an uncle, and he started playing seriously when he was 12. He gigged and studied locally until 1948, when he moved to New York. Woods studied...
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