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Album Review

How frustrating it is that one of the most vital and dynamic bands of the 1980s, the Time, broke up after only three albums. When the Time reunited in 1990 after a six-year absence from the studio, there was excitement as well as cautious optimism in the R&B world. The big question: Would the chemistry still be there? And the answer turned out to be a definite "yes." Humorous, inventive, and unapologetically funky, Pandemonium is an excellent party album that's every bit as strong as its three predecessors. Leader Morris Day is as amusing and confident as ever, and the distinctive unit still used the influence of George Clinton and mentor Prince to great artistic advantage. Those who savored the Time's three previous albums will find that on gems like "Chocolate," "Jerk Out," and the rock-influenced "Blondie" (a fine vehicle for Jesse Johnson's electric guitar), the old magic asserts itself without hesitation. This is a disc that no fan of the Minneapolis sound should be without.


Formed: 1981 in Minneapolis, MN

Genre: R&B/Soul

Years Active: '80s, '90s, '00s

From their origins as Prince's first pet project to their self-produced funk-rock oeuvre, the Time has been a fascinating and outrageous congregation. Vocalist Morris Day infused his cocky, swaggering personality into dance hits that would make Rufus Thomas envious, and, unlike most of the competition, the band managed to do something unique with Prince's genre-busting innovations. The Time broke up in the late '80s, with Day going on to a somewhat disastrous solo career, Jesse Johnson crafting two...
Full bio
Pandemonium, The Time
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  • 11,99 €
  • Genres: R&B/Soul, Music, Funk, Rock
  • Released: Jun 1990

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