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I, Robot (Original Motion Picture Soundtrack)

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Album Review

Composer Marco Beltrami has been the go-to guy for the horror/suspense genre since Guillermo del Toro's Mimic in 1997, so it's no surprise that he sounds so comfortable on his first foray into sci-fi with Alex Proyas' I, Robot. Similar to his score for del Toro's Hellboy, Beltrami utilizes bombast like it's emanating from the baton itself. His tendency to over-utilize heavy percussion sometimes gets in the way of the melody, but this is a Will Smith summer action movie so it's fitting — thankfully, there is no lame Smith-jam over the credits. I, Robot isn't del Toro's best work — that would be his excellent minimalist score for the Owen Wilson serial killer drama The Minus Man — but it complements the material nicely, resulting in a serviceable but eventually forgettable entry into the realm of blockbuster fly-by's.

I, Robot (Original Motion Picture Soundtrack), Marco Beltrami
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