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Innuendo Out the Other

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Album Review

Guitar genius, comedian, and madman are just some of the descriptions that can be applied to Philip DeGruy. A former student of jazz guitar legend Lenny Breau, he plays a custom-made guitarp that features 17 strings, including harp-like strings mounted on the body. His style is a progressive combination of both Breau and Chet Atkins, and he possess an endless stream of ideas that flow seamlessly here through an interesting choice of tunes. Whether it's John Coltrane's "Naima," Antonio Carlos Jobim's "Wave," or even his own "Blues for Rod Serling," Philip DeGruy offers one of the most innovative and important guitar recordings of the '90s. He along with Tuck Andress and Charlie Hunter are redefining the boundaries of what can be achieved on the electric guitar. This is a stunning debut.

Innuendo Out the Other, Philip DeGruy
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