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Pink World

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Album Review

Still a one-man show, Tony Carey, under the banner of Planet P Project, again teamed with producer Peter Hauke for this 1984 follow-up to the self-titled debut of the prior year. It's a sprawling, ambitious double album with a sketchy plot line revolving around Artimus, a boy who doesn't speak, and a Cold War-inspired Armageddon. Like it's predecessor, the music features a heavy emphasis on synthesizers, although there's also a good dose of guitar, giving it appeal to rock fans. Carey infuses Pink World with solid melodies, and there's plenty to enjoy on tracks like the surging title cut, the brooding "What I See," and the folk-tinged "A Boy Who Can't Talk." And, to his credit, despite the somewhat cumbersome premise, Carey manages to keep it all from getting too pretentious. Pink World is a curiously interesting work that has managed to achieve a certain cult status.

Biography

Genre: Rock

Years Active: '80s

Following a stint playing keyboards for Rainbow in the '70s, Californian Tony Carey relocated to Germany, continuing his musical career as a solo artist. He managed to achieve some chart success in the early '80s with songs like "I Won't Be Home Tonight," "A Fine, Fine Day," and "The First Day of Summer." Carey had also formed a creative union with German producer Peter Hauke under the moniker Planet P Project, with Carey handling all of the writing and most of the instrumental duties. Their eponymous...
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Pink World, Planet P Project
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