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Opinião do álbum

The consistently jittery, jarring tone of 2012 is both consistent with Old Time Relijun's past releases, and not something that will be everyone's cup of tea, so consciously does it strive for an unsettled groove. Still, OTR have undeniably developed a tighter sound over the years, and a funkier one that provokes comparisons to punk-funkers such as James Chance, complete with wailing, agitated saxophone. Arrington DeDionyso's vocal yelp will likewise sometimes bring to mind David Byrne, albeit with far less pop-friendly, more hysterical delivery and songwriting than Talking Heads ever managed. It's not easy to follow what DeDionyso's going on about as his free-form impressions collide with the clattering musical elements sounding at angles with each other, but they do give off a vague sense of apocalypse. There are, however, some defter shadings here than in the past, whether the jungle-like rhythms of "Reptilians," the buzzing pulse of "Magnetic Electric," some mild dub-like vocal echo, and the creepy swamp-funk of "Her Fires Chill Me." Most surprising of all is the closing instrumental "The Blood and the Milk," whose combination of wobbly, incantational saxophone and funereal organ place it close to avant-garde jazz-gospel (which, in turn, won't fail to incite comparisons to some of Albert Ayler's work). The CD includes an MPEG video of "Cold Water," a song not on the album, filmed live in Italy.


Gênero: Alternativo

Anos em atividade: '90s, '00s

In January 1995 guitarist/vocalist Arrington de Dionyso was encouraged by the musicians that became Old Time Relijun to assemble a group to perform the compositions that he was writing. The group subsequently signed a recording contract with K Records and released two full-length CDs with the label. Between 1989 and 1995, de Dionyso recorded nine cassettes of homemade music on his four-track recorder, releasing each one on his own label, Pine Cone Alley. De Dionyso played the lion's share of the...
Biografia completa
2012, Old Time Relijun
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