iTunes

Abrindo a iTunes Store.Se o iTunes não abrir, clique no ícone de aplicativo do iTunes no dock ou área de trabalho do Windows.Indicador de progresso
Abrindo a iBooks Store.Se o iBooks não abrir, clique no app iBooks em seu dock.Indicador de progresso
iTunes

O iTunes é a maneira mais fácil de organizar e aumentar sua coleção de mídia digital.

Não foi possível encontrar o iTunes no seu computador. Para ouvir uma prévia e comprar música The Chess Box: Willie Dixon de @artistName[?]

Já tem o iTunes? Clique em Já tenho o iTunes para abri-lo agora.

Eu tenho o iTunes Download grátis
iTunes para Mac + PC

The Chess Box: Willie Dixon

Abra o iTunes para ouvir prévias, comprar e baixar música.

Opinião do álbum

This was the most unusual, and probably the most difficult to assemble of MCA's Chess Box series, mostly because of the unusual nature of Willie Dixon's contribution to Chess Records. To be sure, Dixon rates a place in the history of the label right alongside that of Muddy Waters, Howlin' Wolf, and Little Walter, but his role was more subtle than that of a performer (indeed, two of the half-dozen recordings here that feature Dixon as a singer were previously unreleased). So he is all over this two-CD set, as a songwriter, producer, and bassist, and occasionally as a singer as well, but the unifying element are the Dixon songs, and he is the only blues songwriter to be honored by a major label with a retrospective of this type. Since he was not the performer on most of this material, but, rather, was working to mesh his material with the styles and sensibilities of a vast range of players, the sounds contained on these two CDs are a lot more varied than on any of the other Chess Box releases — amplified Delta blues, big band, Mills Brothers-style harmony blues, jazz-influenced jump blues, and near-pop style R&B are all here; guitar pyrotechnics by Muddy Waters or Hubert Sumlin (on the Wolf's records), vocal acrobatics by Little Walter, and rippling performances by Koko Taylor illuminate this set throughout. While some of it, such as Muddy Waters' single of "Hoochie Coochie Man"; Little Walter's "My Babe"; Howlin' Wolf's performances of "Evil," "Spoonful," "Little Red Rooster," and "Back Door Man"; and Lowell Fulson's version of "Do Me Right" are easily available elsewhere, a lot else of what's here is genuinely rare and most enticing — Dixon's own renditions of "Violent Love," "Crazy For My Baby," and "Pain In My Heart," in particular, are great records, lacking perhaps only a slight measure of the energy that a Muddy Waters brought to recording. Most of the set is concentrated on his blues work — a pair of hot Bo Diddley sides ("Pretty Thing," "You Can't Judge a Book by Its Cover") that Dixon wrote are represented, but since he didn't write anything for Chuck Berry, that side of Dixon's history is left out, despite his having played bass on most of Berry's early recordings. Still, it's difficult to imagine anyone complaining over an "excuse" to bring some of the best sides of Muddy, Walter, the Wolf, Diddley, Taylor, Lowell Fulson, Jimmy Witherspoon, Sonny Boy Williamson, Otis Rush, and even Dixon's own '40s outfit, the Big Three together in one release. The sound is impeccable, holding up to standards even a dozen years later, and the set includes a well-illustrated and annotated booklet.

Biografia

Nascido em: July/07/1915 em Vicksburg, MS

Gênero: Blues

Anos em atividade: '40s, '50s, '60s, '70s, '80s, '90s

Willie Dixon's life and work was virtually an embodiment of the progress of the blues, from an accidental creation of the descendants of freed slaves to a recognized and vital part of America's musical heritage. That Dixon was one of the first professional blues songwriters to benefit in a serious, material way — and that he had to fight to do it — from his work also made him an important symbol of the injustice that still informs the music industry, even at the end of the 20th century....
Biografia completa