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Against Which the Sea Continually Beats

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Opinião do álbum

Although he's hardly a newcomer, Glenn Jones has been picked up by the new generation of acoustic guitarists, which has helped make this album a reality. He's made the most of this opportunity, showing himself to be, if not a disciple of the late John Fahey, then influenced by his expansive work. There's plenty going on in Jones' instrumentals, like the lovely bass-string melody that crops up during "David and the Phoenix," for example. He's not merely adept; he's a superbly adventurous player, who uses extended tunes as springboards for exploration, as in the celebratory "Freedom Raga." Using half and two/thirds capos on the fretboard creates some fascinating tunings, which give an added spark of individuality. Even on slide, Jones shows himself to be an exceptional instrumentalist (as on the two "Islands" pieces that frame the disc). Melodies and ideas cascade from his fingers; this is a man who deserves a much wider audience.


Gênero: Cantor/compositor

Anos em atividade: '90s, '00s, '10s

Founding member of the enigmatic indie instrumental group Cul de Sac, Glenn Jones started playing guitar at age 14, opening the door on what would be a decades-long journey into inventive and exploratory sounds. Along with fellow Boston experimental musician Robin Amos, Jones formed Cul de Sac in 1990. The two would be the only constant members throughout the band's lifespan. Over the next two decades, the band would release a plethora of albums, singles, and EPs, focusing almost entirely on instrumental...
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Against Which the Sea Continually Beats, Glenn Jones
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