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Breadcrumb Sins

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Opinião do álbum

Musical jack-of-all-trades Jamie Saft is a mainstay of New York's downtown crowd, bringing to the proceedings a CV that takes in jazz instruction at the New England Conservatory of Music, stints as a pianist in two John Adams' operas, and latter-day work with both Bobby Previte's Latin for Travelers and Peter Epstein's quartet. Backed by a combo featuring guitar, percussion, vocals, and turntables, Saft commands the stage here as he plays myriad instruments on this, his second Tzadik release. Touching on On-U Sound's post-apocalyptic dub, Jewish culture, and some electronica collage work, Saft delivers a mix that posits wailing vocals and Middle Eastern-tinged guitar atop a wall of incredibly deep bass notes ("Fratricide") and delivers unsettling ambient drones spiked with distorted radio transmissions and cryptic singing ("Agam Haeyesh"): a goth-techno club night out with plenty of sequencers and King Tubby in mind. And lest one cry one-way street, Saft and company also delve into some sluggishly dark cocktail jazz ("Blood on the Door") and bring the nu-blues via a bit of lumbering post-rock balladry ("T'khelet"). Black metal fans and Rastas hanging out together? Maybe.


Nascido em: New York, NY [Queens]

Gênero: Jazz

Anos em atividade: '90s, '00s, '10s

Inspired keyboardist Jamie Saft started appearing on an increasing number of N.Y.C.-oriented jazz recordings during the '90s and well into the new millennium. Born in Queens, New York, Saft studied at the New England Conservatory of Music and Tufts University. At these schools, he studied with Paul Bley, Geri Allen, Cecil McBee, and Joe Maneri, in addition to having composer and "piano technical guru" (as Saft described him) Burton Hatheway as a mentor. In 1993, Saft returned to New York and has...
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Breadcrumb Sins, Jamie Saft
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