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Claret - The Best of Louis Philippe

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Opinião do álbum

Anyone looking for a convenient summation of Louis Philippe's early years on the El label will find that Claret, named after his favorite tipple, fits the bill quite nicely. Most aspects of his work, from the pure pop of "You Mary You" to the elegant intricacies of "Fires Rise and Die," are well represented. To tempt the completist there is one track, unavailable elsewhere, in the form of "Telephone Box," a somewhat labored version of a song by the little-known Manchester poet Edward Barton. A rarity more worth having is Philippe's own version of a song written for the King of Luxembourg called "The Rubens Room," previously available as a B-side and on various compilations, whose languid beauty belies the fact that it was written to order on the basis of a title supplied by El label boss Mike Alway. Also included is "The Red Shoes Ballet Suite," a brief instrumental taken from the album Philippe wrote for El stablemate Anthony Adverse, but sadly rendered unlistenable by the archaic string synthesizer on which it is played.


Gênero: Pop

Anos em atividade: '80s, '90s, '00s

Louis Philippe may still be best known as a purveyor of creamy pop confections for Mike Alway's wonderfully eccentric él label, yet his work continued to deepen and develop long after él bit the dust in 1989. He once described his music as "covering the range from pure bubblegum to symphonic sweep, with detours via jazz and soul along the way. A typical album might mix influences from vintage pop, French chanson, Ravel, bossa nova, Duke Ellington, the Shirelles, or the Beach Boys, while classical...
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Claret - The Best of Louis Philippe, Louis Philippe
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