Abrindo a iTunes Store.Se o iTunes não abrir, clique no ícone de aplicativo do iTunes no dock ou área de trabalho do Windows.Indicador de progresso
Abrindo a iBooks Store.Se o iBooks não abrir, clique no app iBooks em seu dock.Indicador de progresso

O iTunes é a maneira mais fácil de organizar e aumentar sua coleção de mídia digital.

Não foi possível encontrar o iTunes no seu computador. Para ouvir uma prévia e comprar música Convergence zone de @artistName[?]

Já tem o iTunes? Clique em Já tenho o iTunes para abri-lo agora.

Eu tenho o iTunes Download grátis
iTunes para Mac + PC

Abra o iTunes para ouvir prévias, comprar e baixar música.

Opinião do álbum

From longtime television, film, and commercial arranger Phil Kelly comes Convergence Zone, his first album as a leader. Since a relocation to the Pacific Northwest in 1998, Kelly has worked with a number of regional jazz figures, culminating in the grouping of the NW Prevailing Winds big band playing here. The album is full of works of big-band majesty, able to emulate the high points of Woody Herman and Count Basie with ease as well as covering new ground in the traditions of the '60s cinematic orchestras. Kelly's compositions and arrangements are the primary stars of the album, with the ability to "simultaneously sound loose and tight," as one critic paradoxically put it. The album opens with a relatively straightforward adaptation/parody of "Camptown Races," then moves somewhat awkwardly into a slightly more funky soul-influenced number. More seamlessly moving forward, one encounters a more relaxed form of swing and an adaptation of "Sweet Georgia Brown" originally written for Doc Severinsen's Tonight Show Band. Trumpeter Jay Thomas makes a stirring tribute to his mentor, Conte Candoli, in a tribute by Joe La Barbera, and the old standard "You and the Night and the Music" provides a nice straightforward groove session with a subtle touch of bop sewn in. The bop continues to a degree in "Yada Yada," with notable solos again by Thomas as well as Pete Christlieb. A Basie tribute of sorts, "O.T.B.S" lays out a long relaxed session with a basic 12-bar blues structure, giving everyone in the band his own time to shine in a solo, and "Kathy's Waltz" is a more orchestral work (with a missing third beat in the waltz) in memory of Kelly's late wife. The album closes on a horn-based gospel groove of sorts with "The Refrigerator." Given the dearth of good big-band arrangers out there in recent years, Kelly is a bright spot in a slightly rarefied field. For the musicality of his arrangements alone, the album is worth hearing. For the additional abilities of the bandmembers, the album becomes one worth buying.

Top álbums e músicas de Phil Kelly and the NW Prevailing winds

Convergence zone, Phil Kelly and the NW Prevailing winds
Ver no iTunes
  • USD 9.90
  • Gêneros: Jazz, Música
  • Lançado: 29/12/2003

Avaliações de clientes

Não recebemos avaliações suficientes para exibir uma média para este item.