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Hearts and Minds

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Opinião do álbum

Susannah McCorkle's 16th release available through Concord begins with "I Can Dream, Can't I" and ends with "I Don't Want ro Set the World on Fire," two highly desirous songs that may reflect the intentions of the dynamic vocalist, but needless to say after 15 successful releases cannot begin to measure the tremendous impact she has had as one of the most expressive singers on the jazz scene since the mid-'70s. McCorkle utilizes two rhythm sections, her longtime musical director/arranger/pianist Allen Farnham, guitarist Paul Meyers, and tenor saxophonist Dick Oatts on straight-ahead, Brazilian-influenced and swing compositions. They span nearly 70 years say a lot about human nature and what people feel and think about. She handles humor on three Dave Frishberg songs, tackles a funny song about depression on "Down," sings of fleeting romance and contemporary relationships on "For All We Know," and "Haunted Heart" and the Ivan Lins song "Evolution." Susannah McCorkle has the remarkable capability to bring rarely heard songs back to life through updated interpretations and 21st century appeal.

Biografia

Nascido em: January/01/1946 em Berkeley, CA

Gênero: Jazz

Anos em atividade: '70s, '80s, '90s

One of the finest interpreters of lyrics active in the jazz world during the 1980s and '90s, Susannah McCorkle did not improvise all that much, but she brought the proper emotional intensity to the words she sang; a lyricist's dream. She moved to England in 1971 where she worked with Dick Sudhalter and Keith Ingham, among others, performing at concerts with such visiting Americans as Bobby Hackett, Ben Webster, and Dexter Gordon. McCorkle sang at the Riverboat jazz room in Manhattan during 1975 (gaining...
Biografia completa
Hearts and Minds, Susannah McCorkle
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