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Opinião do álbum

Classics picks up the story of former Ellington trumpeter Cootie Williams as the leader of his own orchestra from 1946 through 1949 on sides he recorded for Capitol, Majestic, and Mercury. Vocalists Bob Merrill, Billy Matthews, and Eddie Mack are heavily featured on these 22 cuts. The R&B jump music of Louis Jordan and Wynonie Harris were big draws in the nightclubs and jukeboxes of the time and much of this material lends itself to that style. "Inflation Blues" is a takeoff of the "Let the Good Times Roll" theme, while "Save the Bones for Henry Jones," "I Should O' Been Thinking Instead of Drinkin," "Gator Tail" (parts one and two), and "Doin' the Gator Tail" are enjoyable mixtures of novelty lyrics and stompin' R&B instrumentals. While Williams favored this commercial recipe during these years, he did manage to wax a few ballads, such as "I Can't Get Started" and "I Want to Be Loved," and orchestra numbers like "Rhapsody in Bass"; "Sound Track" leans toward the Ellingtonesque style he was an earlier participant in.


Nascido em: July/07/1911 em Mobile, AL

Gênero: Jazz

Anos em atividade: '20s, '30s, '40s, '50s, '60s, '70s

Cootie Williams, one of the finest trumpeters of the 1930s, expanded upon the role originally formed by Bubber Miley with Duke Ellington's Orchestra. Renowned for his work with the plunger mute, Cootie was also a fine soloist when playing open. Starting as a teenager, Cootie Williams played with a variety of local bands in the South, coming to New York with Alonzo Ross' Syncopators. He played for a short time with the orchestras of Chick Webb and Fletcher Henderson (recording with the latter), before...
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1946-1949, Cootie Williams
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