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James Booker

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Opinião do álbum

This solo disc by arguably the most brilliant of New Orleans' resplendent pianists shows off all the edge and genius he possessed. There may be moments on other discs of slightly more inspired playing (and this is arguable), but for a whole disc this one stands far from the crowd. You can hear some of the most awe-inspiring playing here that reflects the extremely broad background that he could, and did, draw from. You can hear his classical training and the brilliance of his interpretive skills in "Black Minute Waltz." He follows this with a version of Leadbelly's "Good Night Irene," which shows off his raucous bordello style of playing and voice. The disc goes on showing off the eclectic variety of influences that make up this man's music. This disc also displays the man's prodigious composing and arranging talents. Though he was regarded as eccentric and crazy, even by New Orleans' accepting standards (he was a flamboyant, black substance abuser, and a homosexual, who spent time both in Angola State Prison and a mental institution), he was considered a musical genius and thus given a certain amount of leeway. Very informative notes by Booker himself (some insight), Joe Boyd (the producer), and George Winston on Booker and his styling. An absolute must if you like New Orleans music.

Biografia

Nascido em: December/12/1939 em New Orleans, LA

Gênero: Blues

Anos em atividade: '50s, '60s, '70s, '80s

Certainly one of the most flamboyant New Orleans pianists in recent memory, James Carroll Booker III was a major influence on the local rhythm & blues scene in the '50s and '60s. Booker's training included classical instruction until age 12, by which time he had already begun to gain recognition as a blues and gospel organist on radio station WMRY every Sunday. By the time he was out of high school he had recorded on several occasions, including his own first release, "Doing the Hambone," in...
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Junco Partner, James Booker
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